|
|
|
|
|
|
Audix DCLIP Microphone Clip for Device with 3/8-5/8-Inch Thread
|
|
|
The DCLIP is a heavy duty, simple to use mic holder that attaches to any device with a 3/8 or 5/8 inch threaded surface; such as mic stands, boom arms, tri-pods, Audix DVICE, Audix DCLAMP, and Audix DFLEX. The holder is designed primarily for the Audix D Series as well as pencil co
|
|
|
|
|
|
|
|
|
|
Audix DFLEX Microphone Clip
|
|
|
Dual pivot rim mounted clip for D series, SCX series. May be used for any microphone by removing the DCLIP clip and replacing with a clip of your choice.
|
|
|
|
|
|
|
|
|
|
Audix T50k Inline Impedance Matching Transformer
|
|
|
The Audix T50k Inline Impedance Matching Transformer adapts low-impedance microphones to high-impedance 1/4" inputs. The durable T50k features a heavy-duty 7mm rubber jacketed cable interface and strain relief. Gold-plated connectors. Created for FireBall and FireBall V microphones for harmonica and beatbox.
|
|
|
|
|
|
|
|
|
|
Audix DCLAMP D-Clamp Percussion Mount Mic Clip
|
|
|
Clips to the lug and stays put. View all items from this brand The Audix D-Clamp Percussion Mount Mic Clip eliminates drummers' concerns about microphone positioning. With a low profile and low mass, the D-Clamp clips to the lugs of most percussion instruments and holds your microphone in a rock-solid grip. Simple to use and easy to position.
|
|
|
|
|
|
|
|
|
|
Audix F2 Hyper-Cardioid Instrument Dynamic Microphone
|
|
|
The f2 is best used for miking instruments requiring mid-bass and mid-high reproduction in live and studio applications. Its hypercardioid pick-up pattern helps to minimize feedback and isolate the instrument from ambient sound coming from the room or other instruments on stage.
|
|
|
|
|
|
|
|
|
|
Audix F5 Hyper-Cardioid Instrument Dynamic Microphone
|
|
|
The f5 is an ideal choice for snare, toms, percussion and acoustic instruments in live and studio applications. A hypercardioid pick-up pattern helps to minimize feedback and isolate the instrument from ambient sound.
|
|
|
|
|
|
|
|
|
|
Audix OM2 Dynamic Vocal Microphone
|
|
|
The OM2 is a dynamic vocal microphone used for a wide variety of live, home and studio applications. This mic has clear and accurate sound reproduction, resistance to feedback and ability to handle very high SPLs without distortion..
|
|
|
|
|
|
|
|
|
|
Audix I5 Dynamic Instrument Microphone
|
|
|
Lightweight, compact and easy to position, the D6 is an excellent choice for miking instruments requiring extended low frequency reproduction such as kick drums, large toms and bass cabinets. The D6s transformer less design, low impedance and balanced output allow for interference-free performance
|
|
|
|
|
|
|
|
|
|
Audix OM2s Dynamic Vocal Microphone With on/off switch
|
|
|
The OM2 is a dynamic vocal microphone used for a wide variety of live, home and studio applications. This mic has clear and accurate sound reproduction, resistance to feedback and ability to handle very high SPLs without distortion..
|
|
|
|
|
|
|
|
|
|
Audix OM3 Dynamic Vocal Microphone
|
|
|
The OM3 is a dynamic vocal microphone used for a wide variety of live, home and studio applications. This mic has clear and accurate sound reproduction, resistance to feedback and ability to handle very high SPLs without distortion..
|
|
|
|
|
|
|
|
|
|
Audix FireBall V Harmonica Dynamic Instrument Microphone
|
|
|
The FireBall™ is designed for harmonicas (both diatonic and chromatic) and beatbox. Clear, accurate and capable of handling SPLs in excess of 140 dB without distortion, the FireBall™ is ideally suited for both live stage and studio recording applications.
|
|
|
|
|
|
|
|
|
|
Audix OM3S Dynamic Vocal Microphone with On/Off Switch
|
|
|
The OM3S is a dynamic vocal microphone used for a wide variety of live, home and studio applications. This mic has clear and accurate sound reproduction, resistance to feedback and ability to handle very high SPLs without distortion..
|
|
|
|
|
|
|
|
|
|
Audix FireBall Harmonica Dynamic Instrument Microphone
|
|
|
The FireBall™ is designed for harmonicas (both diatonic and chromatic) and beatbox. Clear, accurate and capable of handling SPLs in excess of 140 dB without distortion, the FireBall™ is ideally suited for both live stage and studio recording applications.
|
|
|
|
|
|
|
|
|
|
Audix OM5 Hyper-Cardioid Dynamic Vocal Microphone
|
|
|
The OM5 is naturally attenuated at 120 Hz to reduce boominess and handling noise. The mid-range is tailored to provide extra presence in the vocals allowing the vocalist to be easily heard through the main speakers as well as the monitors.
|
|
|
|
|
|
|
|
|
|
Audix D4 Hyper-Cardioid Dynamic Instrument Microphone
|
|
|
With a wide frequency response of 40 Hz - 18 kHz and the ability to handle SPLs in excess of 144 dB, the D4 is an excellent choice for miking instruments requiring precise, low frequency reproduction such as large rack toms, floor toms, cajon, djembe, tympani, leslie bottom, bass flute, saxophone and baritone saxophone, trombone, acoustic bass, bass cabinets and small kick drums.
|
|
|
|
|
|
|
|
|
|
Audix ADX10 Condenser Lavalier Flute Microphone
|
|
|
The ADX10 is a miniaturized condenser microphone designed for lavaliere applications such as speech, presentation and theatrical production. The ADX10 has the ability to accurately capture and reproduce vocals from a comfortable distance of 4"- 8". This mic is clear, resistant to feedback and easy to use.
|
|
|
|
|
|
|
|
|
|
Audix D6 Hyper-Cardioid Dynamic Instrument Microphone
|
|
|
Lightweight, compact and easy to position, the D6 is an excellent choice for miking instruments requiring extended low frequency reproduction such as kick drums, large toms and bass cabinets. The D6s transformer less design, low impedance and balanced output allow for interference-free performance
|
|
|
|
|
|
|
|
|
|
Audix D6S Hyper-Cardioid Dynamic Instrument Microphone (Brushed Aluminum)
|
|
|
Lightweight, compact and easy to position, the D6 is an excellent choice for miking instruments requiring extended low frequency reproduction such as kick drums, large toms and bass cabinets. The D6s transformer less design, low impedance and balanced output allow for interference-free performance
|
|
|
|
|
|
|
|
|
|
Audix OM6 Hyper-Cardioid Dynamic Vocal Microphone
|
|
|
The OM6 is a dynamic vocal microphone used for live performances, studio and broadcast applications. The OM6 touts a broad frequency response, full-bodied and articulate sound reproduction, resistance to feedback and ability to handle high SPLs in excess of 144 dB without distortion.
|
|
|
|
|
|
|
|
|
|
Audix ADX60 Boundary condenser Microphone
|
|
|
A professional pre-polarized condenser microphone the ADX60 is designed for stage, studio and broadcast applications. The ADX60 is highly sensitive and able to handle distance and area miking for various applications including conferences, plays, theatre and acoustic instruments.
|
|
|
|
|
|
|
|
|
|
Audix ADX10-FLP Condenser Instrument Microphone
|
|
|
The ADX10FL P is characterized with a uniformly controlled cardioid polar pattern, helping to isolate the area or section being miked from other instruments or vocals on stage. With a smooth and accurate frequency range of 50 Hz - 18 kHz, the ADX10FL P is lightweight, low profile and will provide natural sound with exceptional transient response.
|
|
|
|
|
|
|
|
|
|
Audix D6-KD Dynamic Instrument Kick Drum Microphone with Stand
|
|
|
Lightweight, compact and easy to position, the D6 is an excellent choice for miking instruments requiring extended low frequency reproduction such as kick drums, large toms and bass cabinets. The D6s transformer less design, low impedance and balanced output allow for interference-free performance
|
|
|
|
|
|
|
|
|
|
Audix MicroD Instrument Condenser Hyper-Cardioid Microphone
|
|
|
The MicroD is primarily a drum and percussion instrument microphone for professional stage and studio applications. The MicroD has a uniformly controlled hypercardioid polar pattern and a smooth, accurate response in its frequency range.
|
|
|
|
|
|
|
|
|
|
Audix OM7 Hyper-Cardioid Dynamic Vocal Microphone
|
|
|
Dynamic hypercardioid concert microphone features exclusive low-gain VLM capsule for most natural sound in high noise environments. Ultra linear 48Hz - 19kHz frequency response, 144dB SPL handling, durable zinc alloy construction, electronically cut blast filter with black E-coat finish.
|
|
|
|
|
|
|
|
|
|
Audix ADX51 Pre-Polarized Condenser Instrument Microphone
|
|
|
The brass body is precision machined, and this multi-purpose instrument mic features a steel mesh grill and a low-reflective black E-coat finish that’s exceptionally durable. These microphones also feature a gold-plated XLR connector.
|
|
|
|
